Reduced to black and white for easier value identification How cool is this? It has fairly good lighting where I can see value shifts fairly easily.īut in case I need assistance, I always print off the reference photo in black and white so that I can see the values without the distraction of color even better. Here is the image I saved that was generated from that site that I’ll use to create this demo: original photo from So, I have a small library of faces that I have collected from this site for the purposes of teaching art and for portrait studies. Hitting your back button on your browser will have no effect, sadly. So hit SAVE and file away the image even if you only sort of like it, because once it’s gone, it is vaporized digitally. Remember, this is a computer image generating program. HINT: When surfing the program, each time you hit “ANOTHER” on the bottom information box, that image will be forever gone. The beauty of the site is that the person does not actually exist and you can safely create from that photo without infringing on anyone’s rights. Not to mention people have rights to their own image and you don’t want to be sued by someone if you create a great piece of artwork and it goes viral online. It is illegal to create a new piece of artwork from a photo someone else has taken unless you get permission, because that photo is an intellectual property belonging to that creator. It’s brilliant for artists and illustrators because if you are using a photo of someone you MUST get a model release form signed by that person for legal reasons. The finished photo is a picture of a human who actually DOES NOT EXIST! Say whaaat? Yes, it uses GAN (generative adversarial network) programming. If you would like a great reference for painting people from photos, check out this site: It is a unique computer-generated image site where a computer program slices features from a library of existing model faces and splices them into a new face. If the lighting is flat in the photo, then your finished portrait could look dull and uninspiring. If painting from photos is your first choice (and portrait artists may typically take 100 – 500 photos of their subject for home reference) then lighting is still of paramount importance. Ya just gotta be able to see the differences in the value planes on the face and lighting is key. One of the biggest surprises that I learned from professional portrait artists is how vitally important lighting is if you are going to use a live model. This demonstration will be using thin layers to achieve a smooth finish in my acrylic portrait painting. If you are trying to make it look like oils with buttery consistency and flawless blending, then you’ll need to use a few additives to the paint and keep the paints themselves wet on the palette, or use a multi-layer approach with greatly thinned down paint. Introduction to acrylic portrait paintingĪcrylic portrait painting is quite a bit different than painting in oils, pastels or watercolor. Introduction to acrylic portrait painting.They can be sharpened to hold a fine point which will give you clean lines and crisp edges.Ĭolor pencils with soft thick cores are ideal for blending, shading large areas and for strong expressive strokes of color.Ĭolor pencils with water-soluble cores can be blended with a wet brush to achieve a translucent watercolor effect. You can purchase boxed sets of color pencils or choose them individually for their unique qualities.īox sets are very convenient but you will probably find that there are a few of the pre-selected colors you rarely use.īox sets are ideal when you are starting out, but as you gain experience and start to learn how different types of pencils perform, you will probably start to purchase your pencils individually to meet your personal needs.ĭifferent manufacturers also produce slightly different grades of pencils which have their own distinct qualities and strengths.Ĭolor pencils with hard thin cores are excellent for detailed work. Color pencils come in a wide range of colors, tints and shades, with hard, soft, soluble, blendable and erasable pigments that make them an ideal drawing medium for this style of portraiture.
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